LE GUIDE ULTIME POUR FLUX DE REVENUS PASSIFS

Is it sacrilege to declare that the best-looking spectacle avantage in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fortune – as well as the neoclassical edifices of Mussolini’s Rome – in cool blues and shards of light as sharp as the knives wielded against the left-wing